Tasher Ghawr movie review – A play of myriad aromas through a lot of dark and mirthful expressions.
Tasher Ghawr Bengali movie is the story of not just a housewife, but also a homemaker. Sujata lives with her husband, Dilip. Dilip has a good job and mostly stays busy with it, thereby returning late at home. But then due to the COVID pandemic, lockdown begins, and so he begins to work from home. While some people are finding it very happy to have family time, Sujata hates it.
Dilip’s behaviour towards Sujata is way beyond just “bad”. He is involved in an extra-marital affair with a woman called Sharmee, who is also married. Sujata is not at all agonised for this. On the contrary, she is happy. She is happy to have Dilip outside home for long hours. She hates to share her peaceful solitude, her reverie of thoughts with anyone, specially someone who keeps shouting with disgust.
Dilip has no feelings for her, and the message is quite clear. She is there to make food, food which even the rats of the kitchen would subject to dejection.She is there to accept the painful shower of Dilip’s loveless sexual needs on bed. She is there to even take the responsibility of Dilip’s aged mother’s care, which she does, but Dilip is not aware of that.
Sujata is not a social person. She loves to be alone. She loves the silent words of her plants, the music of nature that comes to her terrace in the afternoon. She enjoys to be a loner, so much so, that she doesn’t even employ a maid to help her out in the household chores. Tasher Ghawr is the story of countless Sujatas who endure to the fullest, the mental harassments, the domestic violence, the sexual torture—everything they endure, and one day perhaps they take a silent stand, and eliminate these personalities who believe that wives are just there to give and give and give till they die.
Tasher Ghawr Movie Cast
- Swastika Mukherjee as Sujata
Tasher Ghawr is a story of neither a housewife, nor a working married lady. Tasher Ghawr is a story of women, who just wants to live the way a human being actually lives.
Tasher Ghawr Trailer
Script
The script of Tasher Ghawr is studded with metal of monotony. A couple of phrases get repeated for quite a number of times. But that doesn’t hamper the purpose of the film. In fact, it strengthens it. The monotony of Sujata’s life, the indifferent sufferings that dot the outline of her married life, everything is expressed well enough through the script and the monologues of Tasher Ghawr.
Acting
Swastika Mukherjee is undoubtedly the heart and soul of Tasher Ghawr. In fact, she is so much into the character that somewhere it seems like she is talking about her home and not Sujata’s home. Perhaps throughout the film, Swastika and Sujata have somewhere fused into each other. Her immense grasp on the character, her delivery of such a huge monologue—everything is way beyond appreciation. Talking to an individual, reacting to the dialogues of a co-actor is easy. But talking to a camera and personifying it as a listener and continuing to monopolise the conversation without making it boring to listen to—that is way more difficult.
Music
Rabindranath Tagore is a celebration for the mirthful, a relief for the agonised. His creativity encompasses every probable emotion that a human heart can hold. “Mukti” talks about salvation and the same word also speaks about freedom. Amit-Ishan’s work as the music director of Tasher Ghawr is as amazing as always with amazingly appropriate background scores. Swastika Mukherjee as the one and only singer of Tasher Ghawr poured out honey on the pancakes of music with her voice.
Cinematography, Special Effects & Editing
The visuals of Tasher Ghawr celebrated beauty, without any exaggeration. Ayan Sil by far proved to be one of the best cinematographers through his work in Tasher Ghawr. Beginning from the title screens, to each and every corner of the world of Sujata—everything was portrayed so well that one who will have a slightly minute vision and eye for camera will remain awestruck. Pabitra Jana also did an excellent work as the editor of Tasher Ghawr.
Direction
Sudipto Roy did a delectable work as the director of Tasher Ghawr. With a lot of turmoil boiling up after the release of Tasher Ghawr movie poster, the film was an answer to all souls who projected baseless criticism not on the creative aspect of the poster, but on the attires of the central character. His way of portraying Sujata as not a usually crying and sobbing poor housewife who has accepted her fate to be the abode of treachery, but as a woman who enjoys her choices, her sensitivity towards the little things in life and finally eliminating all those who try to put hindrances in her happy little world with no harm on her side of the story. Her feelings are weird, her understandings are different. But that is Sujata, that is her real self. Sudipto Roy sculpted out her character in an outstanding way, thereby giving the film different dimensions right from the very beginning, topped with a remarkable cinematography.
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